Great gear is only as good as the hands on it
We don't rent you a crate of equipment and wish you luck. Every package comes with the people who run it every day, so the shoot starts on time and the kit does what it was bought to do.
Camera
Cinema and broadcast camera packages, lenses, monitors and support, from a single body to a multi-camera build.
Run by: directors of photography, camera operators and focus pullers
Lighting and grip
LED and tungsten fixtures, modifiers, rigging, dollies and the grip truck to carry them.
Run by: gaffers, best boys and key grips
Sound
Location recorders, wireless and boom kits, PA systems and monitoring for live shows.
Run by: production sound mixers, boom operators and live engineers
Stage, LED and video
Staging, LED walls, projection, switchers and playback for live events and broadcast.
Run by: stage managers, video engineers and show callers
Studio space
Room to build sets, shoot on a clean backdrop, record a podcast or rehearse a show.
Run by: studio managers and set builders
Post suites
Edit, colour and sound mixing rooms, set up for review sessions with you in the room.
Run by: editors, colourists and re-recording mixers
Why it costs less
| The usual way | With Eventique |
|---|---|
| Rent the gear from one company, hire crew from another, and pay a markup at each step. | The gear is ours, so there is no rental-house margin stacked on your budget. |
| Crew meet the kit on the morning of the shoot and learn it on your time. | Every piece of kit comes with someone who already knows it inside out. |
| Prep, shoot and post are handed between three vendors, and every handoff adds days. | One team from first call to final delivery, so nothing waits in someone else's queue. |
| Book far ahead and wait for availability that someone else controls. | We hold the calendar and the kit, so we can say yes quickly and start sooner. |
Need kit and crew for a date?
Tell us the date, the location and what you are shooting or staging. We will tell you what it takes.